Thursday, June 23, 2016



How Votes Were Nullified in California? By Julia Stein  June 17, 2016

By June 10, 2016, three days after the election, six million voters had been counted in California, but 2.5 million hadn’t been counted. Though pre-vote surveys showed Sanders only very narrowly behind Clinton right before voting day, the June 7 election count had Sanders 43% and Clinton 56%  (Sanders received 483,000 less votes than Clinton).  By law counties in California don’t have to finish their vote counting until July 8, 2016. Vote counting went slowly through June 16 when 1.9 million ballots still haven’t been counted (Truthdig). California votes were nullified.

According to the San Jose Mercury News in the 2012 primary election 31% of registered voters voted in California (2/3 of the states have more people voting), so the Democratic legislature in January 2016 changed the voting registration procedure making it easier and 650,000  people registered spring 2016, the largest increase in people 18-29.  The new law also allows people to be automatically registered when they visit the Department of Motor Vehicles, potentially adding up to 6.6 million new voters:   the legislature reasoned easier registration, problem solved. Though the state’s voting procedures and different ballots are quite complicated, a few Sanders’ supporters were the only people who tried to do any education on how to vote for new voters before election day.
June 6, 2016, the day before five states including California voted, the Associated Press and NBC  “News” both announced that Hillary Clinton had won the nomination based on a poll of super delegates, who don’t vote officially until July 25--a 100% false report. Mindy Romero, director of the UC Berkeley California Civil Engagement Project believes the AP report lowered turnout as many voters stayed home on Election Day—some Sanders voters stayed home.

A just released Harvard study by Professor T. Patterson and the Shorenstein Center on Media, Public Policy, and Politics, after studying eight cable news networks and newspapers, said, “The perception of the Clinton vs. Sanders race created by the media’s earliest coverage generated an aura of inevitability for Hillary Clinton and encouraged a dismissive attitude toward Sanders despite his early mega-rallies on the West Coast and huge advantage with small-dollar donations.” The Harvard study vindicated Bernie supporters that the mass media gave more coverage to Clinton “for the purpose of driving ad revenue and clicks rather than for the purpose of informing the public.”

Democracy Now on June 9, 2016, had Sanders consultant Larry Cohen say Sanders delegates at the Democratic Convention will criticize the problems in voting and will try to abolish the super delegate system. Super delegates are 15 % of the delegates whom voters don’t elect. The party elite, choosing super delegates from either other party elites or paid lobbyists who fund campaigns, instituted the super delegate system to end the voter insurgencies of the late 1960s and 1970s. Cohen argues corporations/Wall Street control the Democratic Party through the use of super delegates and their money, describing how in the state of Washington Sanders won with 72% of the vote but didn’t get one super delegate.

In Los Angeles voters recounted anecdotes of chaotic voting.  The Los Angeles Times reported June 14, 2016, that LA County Supervisors heard dozens of complaints from voters and poll workers about “broken voting machines, names missing from voter rosters, and polling stations that ran out of ballots.”  Marcia Martin, polling station inspector, said many voters were “recorded as vote-by-mail or never received their ballots, people complained their names didn’t appear on the rolls, and voters were registered with a party they hadn’t signed up for.”  Many of those complaining were first-time voters. Sanders voters complained they weren’t given ballots that allowed them to vote in the Democratic primary. Many poll workers were poorly trained.

L.A. County Register –Recorder Dean Logan acknowledged problems caused by “the surge in new voters and existing voters switching party preference …,” and he blamed other problems on a too-complex voting system which was “challenging for voters, cumbersome for poll workers, and difficult to administer.”  Logan added that L.A. country is overhauling its voting machine system, “eventually replac[ing] ink-based balloting with touch-screen machines.”  If Los Angeles or any other county in the state were serious about vote counting, they’d first train poll workers better and then just hire a great number of short-term workers to count quickly before, on, and just after election day.

Further, California voters are 48% Democrats, 27% Republicans, and 23% independents or 4.6 million independents, many of which are Sander’s voters and/ or young first-time voters who lean to Sanders. Democratic leaders know that about 48% reliably vote Democratic each election. Retiring U.S. Senator Barbara Boxer, a pillar of the state’s Democratic elite, had a bad feud with Sanders’ supporters stemming from her being booed by them at the Nevada Democratic Party Convention. The Democratic elite might have good reasons not to invest in new, simplified voting procedures if they fear they will be rejected by the millions of new voters, but if the Democratic elite  restore the state’s New Deal heritage of free public tuition at UC and Cal State Universities (I went to UC Berkeley for $180/year in the 1960s), $15/hour minimum wage, etc, young voters will vote Democratic.

Similar voting problems to Los Angeles’ were reported across the state (San Diego voters held a protests against the same flaws as L.A. voters had complained), but no systematic study has been made and no lawsuit has been filed. If the state’s voting system breaks down with 650,000 new voters, how could it handle 6 million new voters? Though it’s commendable to make voter registration easier, the state needs to simplify its cumbersome voting procedures, get updated machines that also have paper ballots, get enough trained poll workers for the next election, and educate new voters before election day. Senator Senders on CBS news has endorsed open primaries, same day registration, and enough trained staff to get the votes counted quickly.

Californians who want to see votes quickly counted so they count should first try for a serious dialogue with the legislature and the counties that California’s voting procedures be simplified and able to handle 6.6 new million voters without breakdown. Now 2.5 million votes have been nullified by inept voting procedures, mass media propaganda, and the super delegate system.  If the state doesn’t improve how it votes, more millions of votes could be nullified in the next election.




Tuesday, November 03, 2015

Stein and Krasilovsky will read from their new book "Shooting Women: Behind the Camera and Around the World" November 14.

Skylight Bookstore reading
Event date: 
Saturday, November 14, 2015 - 5:00pm
Event address: 
1818 N Vermont Ave
Los Angeles, CA 90027

ALEXIS KRASILOVSKY and JULIA STEIN discuss their new book SHOOTING WOMEN: BEHIND THE CAMERA, AROUND THE WORLD (Intellect  UK)   ISBN: 9781783205066
Shooting Women takes readers around the world to explore the lives of camerawomen working in features, TV news, and documentaries. From first world pioneers like African American camerawoman Jessie Maple Patton who got her job only after suing the union - to China’s first camerawomen, who travelled with Mao – to rural India where poor women have learned camerawork as a means of empowerment, Shooting Women reveals a world of women working with courage and skill in a male-dominated field.
“In the end, although this book [does] … we sum up what this history has taught us about strategic options available to increase women’s role in the media behind the camera. Along with a history of women’s involvement in camerawork, we provide information on how the professional camerawomen got to be where they are and what advice they have for women who would like to work professionally behind the camera.”- Harriet Margolis 
Alexis Krasilovsky is the writer/director of the global documentary, Women Behind the Camera(http://womenbehindthecamera.com) and Professor in the Department of Cinema and Television Arts at California State University, Northridge.
The winner of the 2011 Joe Hill Award for labor poetry, Julia Stein, as book editor, has published Walking Through a River of Fir: 100 Years of Triangle Poetry and Every Day is an Act of Resistance: Selected Poetry of Carol Tarlen. Her fifth and most recent book of poetry is titled What Were They Like?

Email or call for price.
ISBN: 9781783205066
Availability: Coming Soon - Available for Pre-Order Now
Published: Intellect (UK) - November 15th, 2015


Saturday, March 29, 2014

Julia Stein on WBAI radio 99.5 NY April 2 10:30 PM EST 7:30 PM PCT

I’m on WBAI again This Wednesday. "Mary Ann Miller, Producer and Host "From The Women's Desk" Celebrates Poetry Month with Lorraine Currelley, Poet, and Founder/Director Poets Network & Exchange/New Yor k and Poet Julia Stein/Los Angeles Wednesday, April 2, 10:00-11:00 EST and 7:00-8:00 PM PST on WBAI New York 99.5 FM For Los Angeles/West Coast, the show can be heard online from 7:00-8:00. We poets will be on at 7:30 pm PST. Julia Stein will read from poems about Los Angeles, women , and a poem about her grandmother that reveals her fascination with the Triangle Fire. People on the West Coast can listen The show will be New York/Los Angeles poetry dialogue on radio—very rare as I don’t think it’s ever been done before. People outside New York can listen online to live broadcast below: http://www.wbai.org/playernew.html

Friday, March 07, 2014

Stein reading on WBAI radio as part of 3/8/14 International Women's Day Celebration

I'll be reading my writing 2:30 West Coast time (5:30 NY time) in the event below: March 8- WBAI radio 99.5 New York CELEBRATES INTERNATIONAL WOMEN'S DAY, IN A CONVERGENCE OF SONG, STRUGGLE AND SOLIDARITY You can listen online to live broadcast: http://www.wbai.org/playernew.html TUNE IN THIS SATURDAY, MARCH 8TH FROM 3PM TO 10PM, AND JOIN US FOR A GATHERING OF WOMEN HOSTS AND COMMUNITY ACTIVISTS, PERFORMERS, ARTISTS, POETS AND STORYTELLERS New York, NY – International Women's Day 2014 on WBAI Radio is hosted this year by Mary Ann Miller, From The Women's Desk. **Opening Ceremony: Mary Ann Miller, Kathryn Davis, Lorraine Currelley of The Harlem Arts Fund, Writing For Peace and Pearls of Wisdom Storytellers, and Cynthia Parsons McDaniel presenting 'The Least Known Actress In The World.' **US Representative for New York's 12th congressional district Carolyn Maloney. In a phone conversation with Mary Ann Miller, to speak about her plans to re-introduce Equal Rights Amendment legislation. and many other women's voices.

Thursday, March 06, 2014

Reading on radio WBAI on 3/8/14 for Internatnational Women's Day

I’ll be reading my writing on a live broadcast on WBAI radio from New York March 8 at 2:30 West Coast time (5:30 New York time) as part of International Women’s Day. I helped get some of the best women writers/novelists/poets—novelists Judy Juanita and Anya Achtenberg; poets Carol Dorf, Lynne Bronstein et all--who will be reading from around the country between 2 and 3:00 West Coast time (5:00 and 6:00 pm New York time) so check it out. WBAI will be broadcasting from 12:00-7:00 West Coast time (3:00 pm – 10:00 pm New York time) to celebrate International Women’s Day. You can listen to WBAI live on line at http://www.wbai.org/playernew.html

Sunday, February 23, 2014

My Writing Process Blog Tour

February 24, 2014 I’d like to thank Diane Lefer, for inviting me to take part in the Writing Process blog tour, where I’m asked by a writer, Diane in my case, to answer four questions about how and why I write, and then I ask other writers to continue writing on their blogs about their process: I’ve just enjoyed reading two of Diane Lefer wonderful novels—Nobody Wakes Up Pretty and The Fiery Alphabet—as well as her award-winning short story collection California Transit Lefer is one of the few fiction writers in the U.S. capturing our contemporary writing, and her work is tremendously exciting to read. After reading Nobody Wakes Up Pretty about the gentrification of a neighborhood the heroine is living in the upper west side of Manhattan, I became aware how exiled I feel when my Hollywood neighborhood is undergoing gentrification and was inspired to write a long poem. Diane blogs: http://dianelefer.wordpress.com/ 1) What am I working on? I just finished a novel about a young woman going to Berkeley in the 1960s showing her transformations from shy, bookish girl to getting arrested in a civil rights sit-in, going to jail. and falling in love. The novel is about first time falling in love during the Vietnam War and also getting pregnant when abortion was illegal. The novel is about transformations, love, politics—and the death of the first friend your age. I also just finished my sixth book of poetry about my brother and mother’s lives as well as my brother’s fourteen year struggle with Parkinson’s and my mother’s growing frailty in her eighties. The poems talk about how my brother is a great father despite his disease and how a family survives the ineptitude of a failing health care system. I’ve written 1/3 of a seventh book of poetry about life and love in 2013-2014 when my college get shot up, when grifters try high technological electronic stealing of one’s identity, and when one can feel exiled when living in a neighborhood undergoing rapid gentrification. I’ve written my first sonnet, a love sonnet. 2) How does my work differ from others of its genre? Many 1960s novels were written in the 1960s or soon after, but mine is written many decades later, so is more concerned with love than with anger. I also write in 3rd person, not first person, and accept my young naïve heroine does make mistakes but learns from her mistakes. Though she has a central conflict with her father, sometimes he is more right than she is. I grew up with a grandmother who loved Tolstoy and Dickens, she taught me to love them too. Though I have, of course, been influenced by early 20th century modernism, I am also inspired by the 19th century novelists like Tolstoy and Dickens who combine personal stories with writing about history or politics. My fifth and sixth books of poetry show the influence of my Whitman and Neruda as I wrote long poems. Most poets these days seems to write short lyrics, but I often have written longer narrative poems often in a chronological sequence as the whole book of poetry is a story in verse in my last three books. My fifth book of poems What Were They Like was inspired by Whitman’s Civil War poetry in “Drum Taps” poems, and I’m in the small minority of U.S. poets to write about the wars of the 21st century. While most poets in the U.S. just write personal lyric poetry, my new poems are not just personal lyrics but try to capture what life is like in 2014 exploring how the personal life is impacted by larger impersonal economic/technological structures. 3. Why do I write what I do? Often to celebrate the life of a person I loved. My first book of poetry was written after my grandmother’s death to celebrate her life and the lives of her remarkable generation of immigrants’ right before World War I. Carl Sandberg asked, “Who do you owe your freedom?” Often the poems try to answer that question, as I certainly owe my freedom to my grandparents, and I wish to rescue their lives from clichés and obscurity. As for the novel, I always wanted to write about the 1960s in order to celebrate the community I felt at Berkeley in the 1960s and which I miss now. Also I was fascinated by dance for decades, and I enjoyed having the heroine develop into a serious dancer/choreographer exploring a path I did not take. From my first book of poetry I’ve been concerned with Camus’s exhortation to neither be a victim nor an executioner (or a silent partner to an executioner). Also I have been inspired by Hannah Arendt’s ideas in Eichmann in Jerusalem that even average humans in evil times can act in ways to recreate a moral world and that the poems attempt to recreate that moral world. I think poetry as well as other arts like jazz or dance can create utopian possibilities to counterpoint to our reality and to imagine a free space in which to live. 4) How does your writing process work? Writing a novel is different than writing a book of poetry. When I’m teaching, and I have been teaching either part-time or full-time the last 24 years, I can write poems in spurts in the odd free hours during the week. Or I’d blogged every Friday morning during the years 2004-2007. Only when I’m pulling the book of poetry together do I make myself work day after day until I’m done. If I am not teaching and am working on a novel, I start work at 9 am, take a short break, then work until lunch, take a lunch break, then work until about 3:00. I like to stay with the characters in the novel almost as if I was living with them day after day. After I finish the manuscript—whether of poetry or fiction—I like to put it away for a while and do something else—chores, see people—totally forgetting about the writing, so when I go back I to the manuscript I can see the writing with new eyes. On March 3, 2014, Vicki Nikolaidis will participate on the Writing Process Blog tour. Vicki Nikolaidis grew up in Iowa but when she realized there were so many warmer places to live in the world, she started traveling. Now she lives on Crete, her dream of an island paradise. After studying writing in Crete, she recently submitted a novella titled Path to Transcendence to The Malahat Review 2014 Novella contest. The novella is the first in a series of three about two characters who have intersecting lives although one lives in the contemporary world and one is from the ancient Mediterranean world. She describes “using the novellas to invent an unknown ancient religion based on creation, not destruction.” She will be participating in Writing Process Blog Tour on March 3 on her blog on Red Room: http://redroom.com/member/vicki-nikolaidis/blog On March 10, 2014, poet Lyle Daggett will participate on the Writing Process Blog tour. Lyle Daggett has been writing poems for 45 years. He is the author of seven books of poems, most recently All Through the Night: New and Selected Poems (published 2013 by Red Dragonfly Press). His poetry is influenced by Whitman, Neruda, and Tom McGrath, and he is one of the few U.S. poets who can write a brilliant long Whitmanesque poem. He has worked for a living mostly sitting in cubicles, talking on the phone and typing on computers. His political activities began at age 14 when he gave a speech against the Vietnam War in his ninth grade English class. His blog is A Burning Patience: http://aburningpatience.blogspot.com/,

Sunday, March 03, 2013

Publication party, Julia Stein's 5th book of poetry and Lionel Rolfe's new memoir



Publication Party:  Julia Stein’s 5th book and Lionel Rolfe’s memoir

Skylight Bookstore 1818 No. Vermont  Los Angeles  Saturday March 30, 2013,  5:00  323-660-1175

Julia Stein’s poems in What Were They Like? look at lives—Iraqi lives, Afghan lives, and U.S. lives—caught up in the Iraq and Afghan. wars.  Her book is inspired by Whitman’s “Drum-Taps,” poems the Civil War.  At the end the Stein’s poems imagine peace and healing.  Stein writes as if Whitman met up with Sumerian myths by way of Hemingway.

What Were They Like?  is Julia Stein’s fifth book of poetry. From the feminist  poetry work of her first book Under the Ladder to Heaven (1984)  to  the love poems and poems about teaching in SouthCentral during the 1992 troubles in Walker Woman (2004), Stein’s poetry ranges from love lyric to explorations of war, peace,  women’s lives, and work.

Lionel Rolfe’s  THE MISADVENTURES OF ARI MENDELSOHN. is picaresque memoir by noted author and journalist.  Rolfe recounts the sexual and political travails of the irascible, blacklisted title character, a reporter still harboring his besieged idealistic belief in humanity's innate goodness and America's dubious potential for good amid a reality of avarice, pragmatism, cynicism, and materialism. 

Rolfe grew up in Los Angeles; his mother Yaltah was a concert pianist and the sister of the famed violinist-prodigy Yehudi Menuhin. His first book The Menuhins: A Family Odyssey, in 1978.   He has written Literary L.A., which is now the basis of a film titled Literary LA about Los Angeles writers.  In the early 90's Rolfe co-researched and co-wrote Bread and Hyacinths: The Rise and Fall of Utopian Los Angeles, on turn-of-the-century urban politics and the life of Socialist politician Job Harriman.  

 I’m doing readings for my new book “What Are They Like?” from S.F. to Los Angeles but if you can’t get to the readings
you can order Julia Stein’s books directly from CC.Marimbo by emailing or writing to us at our post office box.  “What Were They Like?” is $14.  C.C. Marimbo also has “Walking Through a River of Fire:
100 Years of Traingle Fire Poetry” edited by J. Stein for $12. And C.C. Marimbo has a website and has page for Triangle fire book and will shortly put up info on “What Were They Like?


CC.Marimbo 
P.O. Box 933 
Berkeley, CA 94701  U.S.A.      ccmarimbo@yahoo.com


 

Sunday, March 18, 2012

Bread & Roses: "The Singing Strike" Centennial Celebration in Los Angeles

Next Sunday I'm going to do read poetry at

Bread & Roses "The Singing Strike"
Centennial Celebration 1912-2012- with song, spoken word and film
A Benefit for the Garment Worker Center & the United Service Workers West (janitors)

March 25th,
doors open 4 pm
SEIU-USWW Hall
828 W. Washington Blvd. Los Angeles 90015

with Ross Altman, Lee Boek, Janna Cazden, Linda Fisher, Andry Griggs,
Jill Holden, the Leftous sisters, Emma Rosenthal, Julia Stein,
Teatro Jornalero Sin Frontreras, and Teatro Urbano

Endorsers: Arbeter Ring So Call, CA Faculty Assn., CSUDH, LA College Staff Guild
AFT 1521, CLUE-LA, Coffee Party, Fellowship of Reconciliation, ICUJP, IWW-LA,
Jewish Labor Committee, La County Federation of Labor, MLK Coalition for Jobs,
Justice and Peace, Occupy the Hood, San Pedro Laborfest, SEIU-USWW, Sholem Community,
UNITED HERE Local 11, USW Local 675, and the WE Project

Monday, May 23, 2011

Jonathan Franzen's "Freedom"--the Liberal as Crank and Tolstoy

May 23, 2011, 9:42 am
Jonathan Franzen’s novel Freedom celebrates the middle class liberal as environmentalist crank in a novel that is a bad imitation of Tolstoy's War and Peace.

In his novel Franzen did write some very good parts about his heroine Patty's college years in the 1970s and has created a memorable character in punk rock musician Richard Katz. The middle section were quite good focusing on the triangle of Walter Berglund, his wife Patty, and his best friend Richard; these sections follow the trio from college to mid-life crises in their 40s showing how two best male friends always compete for decades including competing for the same woman Patty. This reader always looked forward to Katz's reappearance for his honesty. As Katz disappeared at p. 381 the rest of the novel was tedious.

At one point Patty, trying to get into bed with Richard, is reading Tolstoy's War and Peace, and Franzen thinks his novel in some way is the big realist novel--562 pp.--like Tolstoy's big novel. Patty when 1st reading the novel gets "mired in a military section" but as she continues, she reads where 16-year old Natasha Rostov falls in love with Prince Andrei and now Patty even read's the "military stuff." After reading this, she sleepwalks her way into Richard Katz's bed—War and Peace as aphrodisiac! War and Peace as simpleminded romance! Patty even calls her husband Pierre, the hero of War and Peace.

The military stuff is to me the best parts of War and Peace. Tolstoy had been a soldier in the Crimean war and knew war, describes how the French invasion of Russia bring liberty, equality, and fraternity through their bayonets. The war chapters show how French reach Moscow, how the Russians fled, how the French looted Moscow. Shades of Baghdad! Actually, the Iraq War comes up in Freedom as Walter’s son goes Republican, works for right-wing think tanks, and rakes in a small fortune selling defective truck parts to the U.S. army in Iraq.

At the end of Tolstoy's novel, the once bumbling Pierre has been a prisoner of war of the French, had a spiritual awakening where he learns from a poor Russian peasant, gotten his freedom, and is plotting with his aristocratic friends for the Decembrist Revolution, the 1st great revolution to bring a democracy to Russia—it failed, of course. Pierre has become a citizen or would-be citizen of a democracy he hopes to create.

In contrast, Franzen's freedom is not creating a democracy but freedom from delusions or from adolescent neurosis. The modern Pierre or Walter has gotten a job in Washington D.C. working for a Texas billionaire to make a bird preserve which involved making deals with coal companies so they could do mountaintop removal. The novel seemed to be at this point an interesting satire of Big Green—liberal honchos who wind up doing more harm than good through political dealing. At novel's end Walter is free of his delusions that he can collude with coal companies to save birds—one version of freedom for Franzen. Walter’s son is free of his delusion of making millions by selling defective truck parts to the U.S. army.

Both Walter and Patty are portrayed as having miserable adolescences and having miserable parents, but by novel’s end Patty reconciles with her dying father, forgives her mother, and is free in this paean to banal Freudianism. At novel’s end free Patty is able to heal all the family feuds, help sell her grandfather’s estate, and get $75,000. Franzen’s main characters at the end come up smiling roses—free at last of neurosis or delusions about making the quick buck yet they are still in the cash.

At the novel’s end Walter is back at his mother's place on Nameless Lake hating his working class neighbor who loves her cat which eats birds. Walter and Patty take their most drastic action actions against these working louts: in chapter 1 Patty slashes the tires of a working class neighbor for cutting down the trees in his backyard to build a den and in the novel's end Walter kidnaps the bird-eating cat. It seems a crime in Franzenland to love one's cat or to build a den in one’s backyard. Tolstoy, in contrast, was obsessed with bringing equality to Russia and renounced his priviledges as an aristocrat.

Walter’s great crusade besides birds is for zero population growth and the novel is full of his tedious rants that too many poor people having too many babies destroy the environment. So Walter goes to war not against coal companies but against poor for having babies. In many ways Walter resembles the coal companies in attacking the poor. While the coal companies are simply greedy, Walter has a neurotic view of Nature as pristine and pure hopefully unsullied by anything as messy as humans, particularly poor humans. While Walter rants against the poor, Tolstoy celebrates what Pierre learns as a prisoner of war from another poor prisoner.

Unlike Patty, Walter never seems to heal his adolescent neurosis, and at novel’s end Walter has never forgiven his older brother Mitch for adolescent torments now goes to see Mitch who is jobless and homeless. Walter decides not to offer Mitch the vacant family house because Walter and his girlfriend—both well-heeled urban professionals—might want to live there. Franzen in a novel seemingly celebrating family and devoted to family has Walter neglect his own family in need.

Also Walter seems focused on his anti-cat crusade as two of his neighbors on Nameless Lake are foreclosed. It’s the lout neighbors who help the two families in want, not Walter obsessed with birds. Walter comes off as an elitist anti-human crank who cares nothing about his neighbors having economic problems in the Big Recession. If you want to read a book with a big heart, read War and Peace.

Saturday, March 12, 2011

LA Laborfest Triangle Shirtwaist 100th Anniversary Commemoration Events March/Aprill 2011

March 12, 2011, 11:46 am

L.A. Triangle Shirtwaist Fire
100th Anniversary Commemoration Events
March 2011

SCHEDULE

Sundays March 13, March 20, March 26 8:30 AM
THE LABOR REVIEW, with Henry Walton, host. Interviews and short excerpts of upcoming Triangle Fire Commemoration events.
KPFK, 90.7 FM Los Angeles; 98.7 FM Santa Barbara; 99.5 FM China Lake; 93.7 FM North San Diego

Sunday, March 13 10:30 AM (Free admission)
A Flame That Keeps Burning: Marking the Centennial of the Triangle Factory Fire
An original program of drama, poetry and music that explores the legacy of the infamous fire and the struggles for workers' safety which continue today.
At: Westside Neighborhood School Campus, 5401 Beethoven Street, Los Angeles, CA 90066
Presented by the Sholem Community, Arbeter Ring/Workmen’s Circle, Progressive Jewish Alliance and LA Laborfest. For childcare contact Events@Sholem.org For more info: http://tinyurl.com/triangle100

Sunday, March 13 7:30 PM
Walking through a River of Fire: 100 Years of Triangle Fire Poetry
Publication party for the new poetry anthology edited by Julia Stein, with an introduction by Jack Hirschman. Hosted by Julia Stein, anti-sweatshop activist, with SF writers Hilton Obenzinger and Alice Rogoff.
At: Beyond Baroque, 681 Venice Blvd CA 90291-4805
http://www.beyondbaroque.org/events.html

Thursday, March 17 7 PM
Public Works Improvisational Theatre's LA Times Bomb (Fourth Edition)
A theatrical salon in which we look at Los Angeles in 1911 from a hundred years in the future, and a look at anything we want to in between, in an effort to illuminate contemporary events and their immediate personal, political and social relevance.
At: Edgar Varela Fine Arts (EVFA) - 727 S. Spring Street, LA 90014 Free Admission
publicworksimprov.com & latimesbomb.com (contact leeboek@publicworksimprov.com)

Friday, March 18 7:30 PM
Walking through a River of Fire: 100 Years of Triangle Fire Poetry
A reading from the new anthology by editor Julia Stein, with Lee Boek, actor/writer, and Lynne Bronstein, poet/journalist.
At: Skylight Bookstore, 1818 N Vermont Ave, Los Angeles 90027 (310) 822-3006 http://www.skylightbooks.com/

Monday, March 21 9 PM
Triangle: Remembering the Fire
A new documentary by Daphne Pinkerson about the fire and its aftermath. HBO
FOR UPDATES, GO TO www.lalaborfest.org

Friday, March 25 7:30 PM (Sliding scale donation $10 – no one turned away.)
The Triangle Fire – Remember Our Past. Inform Our Future.
LA Laborfest presents, as a benefit for the Los Angeles Garment Worker Center, an evening of music, theatre, spoken word, and film, with special guests, labor leaders, municipal officials, and rank and file workers. Spanish or American Sign Language translation available with advance notice.
At: Echo Park United Methodist Church 1226 N. Alvarado, LA 90026 lalaborfest@gmail.com
310-704-3217

Friday, March 25 - Saturday, March 26
Triangle Fire Shabbat Commemoration
Jewish congregations throughout the Southland will remember, consider and reflect on the importance of this event and its meaning today.. Complimentary study materials are available through Progressive Jewish Alliance, 323-761-8350 x102 or office@pjalliance.org

Saturday, March 26 10 AM
March and Rally for Our Communities and Our Jobs
The Los Angeles County Federation of Labor rallies in support of grocery workers and all working families. LA Laborfest will be there in period costume to remember the victims of the Triangle Fire, and make the connection to contemporary issues and events.
Gather at: LA Convention Center and march to Pershing Square for the rally at 12 noon

Sunday, March 27 2 PM
The Triangle Factory Fire: By the Sweat of Their Labor
An afternoon of music by Voices of Conscience, selections from Julia Stein's collection of Triangle Factory Fire poems and photographic art by the "Common Threads" Art Collective.
Co-sponsors: Arbeter Ring (Workmen's Circle), the Sholem Community, the Jewish Labor Committee Los Angeles and LA LaborFest.
At: Arbeter Ring, 1525 S. Robertson, LA 90035. (310) 552-2007 or circle@circlesocal.org

Thursday, April 21 11 AM – 9:30 PM
Labor, Social and Environmental Justice Fair
Booths, Workshops, Live Entertainment, Refreshments, Art Exhibits, and More!
CSU Dominguez Hills Labor Studies Dept and Club
idspace@csudh.edu (310) 243-3640

All venues are wheelchair accessible and disability affirmative. Contact each event sponsor or venue for other special accommodations at least 72 hours in advance.