June 15, 2017, 2:00 pm on Arts Express, WBAI radio New York I am continuing my conversation and interview with eminent people's poet, prophet and political visionary Jack Hirschman, alias Red Poet. Touching on Haiti, Nicaragua, Venezuela, the unforgettable victory of Vietnam, May Day and Rodney King.

Arts Express, WBAI radio NY June 8, 2 pm

Poetry Corner: Julia Stein in a conversation with eminent veteran people's poet, prophet and political visionary Jack Hirschman, alias Red Poet. The designated San Francisco Poet Laureate of 2006 reads from his work as well, referencing Hart Crane, Dylan Thomas, Joyce, Haiti, communism, Plato, the Bible, and an inspiring letter Hemingway wrote to Hirschman as a young poet. Part one.

April 20, 2017, I'm on Arts Express radio show, WBAI radio, 2:00 p.m. N.Y time (11;00 am LA time) introducing the brilliant Jeanetta Calhoun Mish, the new Poet Laureate of Oklohoma, who will read her specatacular poetry about her life there

Stein reading on WBAI radio New York

I've been made part of the team
at Arts Express show WBAI NY and they
list me as West Coast desk Julia Stein.

I'm also going to be reading poems from
the Triangle Factory Fire anthology
I edited 3/23 2:00 NY time (11:00 Los Angeles time)
on Arts Express in honor of the anniversary of the
Triangle Fire 3/25. 

On 3/30 I will be reading my own
women's immigrant history poetry for women's history
month. You can hear me online 2:00 pm NY time
(11 am Los Angeles time) and I come on in the 2nd half
of the show wbai.org

Julia Stein will be on WBAI radio New York at March 16,2:00 p.m. New York time (11:00 a.m. Los Angeles time) introducing the brilliant California poet Fred Voss. Voss has English publisher Bloodaxe Books publishing him three times, has been on BBC radio, and has been featured at a English literary festival. Voss's Whitmanesque work details everyday work like Whitman did. Check out WBAI.org now or listen to Voss on the WBAI.org archives.

Radio Broadcast for March 8th

Julia Stein was interviewed at 11:45, March 8, New York time on WBAI radio New York, International Working Women's day. She read her poems about women's strikes and mythical heroines, talked about the global Nasty Women Everywhere movement that funds women's projects, and was interviewed about her writing. You can hear her 11:45 a m, March 8th, on WBAI online and also later on WBAI's archives:

http://wbai.org


National Women's History Month: Julia Stein's essay "Margaret Atwood is the Leading Novelist in North America" is on Al-Khemia Poetica blog March 6, 2017
http://alkhemiapoetica.blogspot.com/

Al-Khemia Poetica Blog in celebration of National Women's History Month is having a different woman writer each day sharing her poetry, essay, or short fiction.

How Poets Can Change a City’s Culture? by Julia Stein

A Review of A Higher Form of Politics:  The Rise of a Poetry Scene, Los Angeles, 1950-1990. Sophie Rachmuhl. Otis Books Seismicity Editions, 2015.  249 pp. $12.95 (included is CD of Innerscapes Ten Portraits of Los Angeles poets A Film by Sophie Rachmuhl).

 

 Rachmuhl in her book constantly discusses what is LA poetry?  To answer that question, she combines Los Angeles historian Mike Davis, literary history, and the French sociologist Bourdieu to examine how poets can change a city’s culture through “a higher form of politics.” She uses Mike Davis’s argument in City of Quartz that three times intellectuals changed Los Angeles’s culture:  (1.)  the “Boosters,” intellectuals at the turn of the 20^thcentury working for developers to sell the city to tourists; 2.) the  1930s “debunkers” such as historian Carey McWilliams who criticized the Boosters’ mythology of fun in the sun; and  3.) the “Communards,” the  1950s small groups of avant-garde artists such as Ornette Coleman’s free jazz group.  Rachmuhl labels three groups of L.A. poets communards:  Black Arts poets in the 1960s; Chicano poets in the 1980s; and Venice poets of the 1950s.
 

In describing Black Arts poets, the author fortunately describes the larger context of the1965 Watts Rebellion against an intensely segregated city and then the Watts Writers Workshop. One wishes she’d add a bit more about Southcentral’s tradition of great jazz musicians—Eric Dolphy, Charlie Mingus, Buddy Collette, Frank Morgan etc. Rachmuhl writes excellent portraits of three leading Black Arts poets:  Kamau Daaood, master poet whose work celebrates LA’s wonderful black jazz artists or often is a poetry/jazz collaboration; Father Amde of the Watts Prophets, whose record Rapping Black in a White World was a forerunner of rap; and Wanda Coleman, whose autobiographical poems about growing up in Watts or being a black single mother/worker/poet have searing honesty. Rachmuhl uses Bourdieu's insights that the Black Arts poets grew an audience and a  network of poetry organizers through their many performances across town--also gaining financial support and legitimacy. After Quincy Troup in 1968 edited the anthology Watts Poets: A Book of New Poetry and Essay in bookstores, they had developed a distribution network and recognition as the voice of black Los Angeles by the late 1970s.

Rachmuhl also has a wonderful section on the 1980s Chicano/poets in L.A who produced two literary magazines and an anthology that developed an Chicano audience. She has a fine analysis of Victor Valle’s brilliant poem “Cuidad of Los Angeles” which rewrites the city’s history from the viewpoint of a Chicano. Her excellent portrait of Manual (Manazar) Gamboa describes how as head of Beyond Baroque, he brilliantly edited Los Angeles first multi-racial magazine Obras, but was soon fired. Rachmuhl describes his terrific autobiographical poetry and his pioneering writing workshops in the prisons that  were continued decades later. The book also ably discusses Marisela Norte’s marvelous poetry as well as her participation in the unique urban avant-garde Chicano scene in East LA including poets and visual artists. 

Rachmuhl’s unfortunately chooses the 1950s Venice Beat as her third group of communards. She  fails to recognize Venice beats were influential as rebel symbols after Larry Lipton's book Holy Barbarians gave them 10 minutes of fame. Of the Venice beats, only Stuart Perkoff published a book during the 1950s.  Rachmuhl ignores the far more important 1950s poets who were in the Tom McGrath group.  Both McGrath and Don Gordon had gotten fired in the 1950s anti-Communist witch hunt, but McGrath and his poet friends went on to form a poetry group of communards.

While Venice Beats scarcely published during the 1950s, the poets' group centered around Tom McGrath started California Quarterly and encouraged young poets to start Coastlines—the two most important 1950s magazines publishing poetry. These poets also published many books. Edwin Rolfe's poetry on the Spanish Civil War made him the major U.S. poet to write about the Spanish Civil War, and he wrote hard-hitting anti-McCarthy poems. After McGrath put out four books in the 1940s, he wrote in L.A. much of his wonderful epic Letter to an Imaginary Friend using a Whitman-like voice to describe how Americans survived hard times with grace. A young rebel Jewish working woman, Naomi Replansky made a splash with her first book of poetry of a 1950s free woman in Ring Song (1952) with Scribners. Don Gordon, the only one to grow up in LA, wrote movingly about World War II carnage in his 1940s book and in his book Displaced Persons (1958)  has themes apparent in his titles:  “Nobody Hears You,” “The Investigation,” “The Silent,” “The Dissenter,” “The Deportee,” “In the Gaunt Hour.”  

For the 1980s Rachmul’s book unfortunately omits to follow the multi-racial communards joining together to create a network across L.A. and Orange County.  Manazar’s firing from Beyond Baroque, which had held the key reading series in Venice in the 1970s,  spurred the Old Venice Jail group (Lynne Bronstein, Israel Halpern, Lisa Braudy, and Jennifer Machiarella) to start a rival multi-racial literary series. Other series started:  Manazar’s Galeria Ocaso in Silverlake, Coleman/Straus’s regular poetry show and my 6-hour  multi-racial poetry/music show on KPFK radio, and the Barragans' East LA’s Café Cultural. I got multi-racial poetry published as an editor of Orange County's Electrum magazine. Then I was editor to John Crawford's West End Press helping him create L.A.'s first multi-racial press that published Michelle Clinton, Sesshu Foster,  and Naomi Quinonez. West End Press’s anthology Invocation LA:  Urban Multi-Cultural Poets (1989) grew out of this decade’s work. By the end of the 1980s the communard groups had worked together to put out multi-racial reading series and publishing across Los Angeles and Orange Counties.

Rachmuhl also omits important Asian, Native American, and women poets who were integral to L.A.’s 1980s poetry and who got academic recognition or won national prizes or recognition. Japanese-American Garrett Hongo grew up in Los Angeles, publishing three books of poetry of stunning poetry: The Buddha Bandits down Highway 99 (1978), Yellow Light (1980), and The River of Heaven (1988), which was a Lamont Poetry Selection.  Native American William Oandasan, a Yuki Indian from Round Valley in Northern California, published seven poetry books guiding us into Indian country. He edited the magazine A, a pioneering poetry magazine of Native poets, worked as an editor at the Native American Studies Center at UCLA, and organized at UCLA a conference of Native American poets in 1984.  Nationally multi-racial poets in the Before Columbus Book Foundation had annual poetry awards, giving awards to William Oandasan’s Round Valley Songs and Invocation LA:  Urban Multi-Cultural Poets. 

In the books’ section on L.A. women poets Rachmuhl omits three women who did wonderful work.  Ann Stanford, a California State Northridge professor, published the path breaking Women Poets in English (1973), an anthology of 1000 years of poetry as well as another book on Anne Bradstreet, first poet of the American colonies. Stanford was also a fine poet publishing eight poetry collections of poetry as well as a teacher of many young poets. Another omitted poet/professor Mitsuye Yamada focused her poetry on her wartime internment in two brilliant books of poetry:  Camp Notes and Other Poems (1976) and Desert Run: Poems and stories (1989). The third omitted poet Sharon Doubiago, born and educated in L.A., wrote her epic poem on love in the time of genocide Hard Country (1982). In this work Dubiago wrote about her Southern California childhood and adolescence.  She included for the first time in poetry the area’s history including Native history and basing her poem on Helen Hunt Jackson’s Ramona, the first novel written about Southern California. This multi-cultural and women poets' network lay the groundwork for later L.A multi-racial literature which has kept on growing decade after decade to the present day:  the first two Los Angeles Poet Laureats were feminist Eloise Klein Healy and then Luis Rodriguez.
 

Despite these omissions, Rachmuhl’s book is extremely valuable for showing how a French sociologist Bourdieu and Los Angeles historian Mike Davis can help us understand how poetry is “a higher form of politics.” Future literary historians in focusing on more of L.A.neglected poets will certainly build on Rachmul’s work.

Julia Stein published Under the Ladder to Heaven (1984), her first of five poetry books. She did the only interview with poet Tom McGrath on his career in 1950s Los Angeles (On the Bus, 1992).

How Votes Were Nullified in California? By Julia Stein  June 17, 2016

By June 10, 2016, three days after the election, six million voters had been counted in California, but 2.5 million hadn’t been counted. Though pre-vote surveys showed Sanders only very narrowly behind Clinton right before voting day, the June 7 election count had Sanders 43% and Clinton 56%  (Sanders received 483,000 less votes than Clinton).  By law counties in California don’t have to finish their vote counting until July 8, 2016. Vote counting went slowly through June 16 when 1.9 million ballots still haven’t been counted (Truthdig). California votes were nullified.

According to the San Jose Mercury News in the 2012 primary election 31% of registered voters voted in California (2/3 of the states have more people voting), so the Democratic legislature in January 2016 changed the voting registration procedure making it easier and 650,000  people registered spring 2016, the largest increase in people 18-29.  The new law also allows people to be automatically registered when they visit the Department of Motor Vehicles, potentially adding up to 6.6 million new voters:   the legislature reasoned easier registration, problem solved. Though the state’s voting procedures and different ballots are quite complicated, a few Sanders’ supporters were the only people who tried to do any education on how to vote for new voters before election day.

June 6, 2016, the day before five states including California voted, the Associated Press and NBC  “News” both announced that Hillary Clinton had won the nomination based on a poll of super delegates, who don’t vote officially until July 25--a 100% false report. Mindy Romero, director of the UC Berkeley California Civil Engagement Project believes the AP report lowered turnout as many voters stayed home on Election Day—some Sanders voters stayed home.

A just released Harvard study by Professor T. Patterson and the Shorenstein Center on Media, Public Policy, and Politics, after studying eight cable news networks and newspapers, said, “The perception of the Clinton vs. Sanders race created by the media’s earliest coverage generated an aura of inevitability for Hillary Clinton and encouraged a dismissive attitude toward Sanders despite his early mega-rallies on the West Coast and huge advantage with small-dollar donations.” The Harvard study vindicated Bernie supporters that the mass media gave more coverage to Clinton “for the purpose of driving ad revenue and clicks rather than for the purpose of informing the public.”

Democracy Now on June 9, 2016, had Sanders consultant Larry Cohen say Sanders delegates at the Democratic Convention will criticize the problems in voting and will try to abolish the super delegate system. Super delegates are 15 % of the delegates whom voters don’t elect. The party elite, choosing super delegates from either other party elites or paid lobbyists who fund campaigns, instituted the super delegate system to end the voter insurgencies of the late 1960s and 1970s. Cohen argues corporations/Wall Street control the Democratic Party through the use of super delegates and their money, describing how in the state of Washington Sanders won with 72% of the vote but didn’t get one super delegate.

In Los Angeles voters recounted anecdotes of chaotic voting.  The Los Angeles Times reported June 14, 2016, that LA County Supervisors heard dozens of complaints from voters and poll workers about “broken voting machines, names missing from voter rosters, and polling stations that ran out of ballots.”  Marcia Martin, polling station inspector, said many voters were “recorded as vote-by-mail or never received their ballots, people complained their names didn’t appear on the rolls, and voters were registered with a party they hadn’t signed up for.”  Many of those complaining were first-time voters. Sanders voters complained they weren’t given ballots that allowed them to vote in the Democratic primary. Many poll workers were poorly trained.

L.A. County Register –Recorder Dean Logan acknowledged problems caused by “the surge in new voters and existing voters switching party preference …,” and he blamed other problems on a too-complex voting system which was “challenging for voters, cumbersome for poll workers, and difficult to administer.”  Logan added that L.A. country is overhauling its voting machine system, “eventually replac[ing] ink-based balloting with touch-screen machines.”  If Los Angeles or any other county in the state were serious about vote counting, they’d first train poll workers better and then just hire a great number of short-term workers to count quickly before, on, and just after election day.

Further, California voters are 48% Democrats, 27% Republicans, and 23% independents or 4.6 million independents, many of which are Sander’s voters and/ or young first-time voters who lean to Sanders. Democratic leaders know that about 48% reliably vote Democratic each election. Retiring U.S. Senator Barbara Boxer, a pillar of the state’s Democratic elite, had a bad feud with Sanders’ supporters stemming from her being booed by them at the Nevada Democratic Party Convention. The Democratic elite might have good reasons not to invest in new, simplified voting procedures if they fear they will be rejected by the millions of new voters, but if the Democratic elite  restore the state’s New Deal heritage of free public tuition at UC and Cal State Universities (I went to UC Berkeley for $180/year in the 1960s), $15/hour minimum wage, etc, young voters will vote Democratic.

Similar voting problems to Los Angeles’ were reported across the state (San Diego voters held a protests against the same flaws as L.A. voters had complained), but no systematic study has been made and no lawsuit has been filed. If the state’s voting system breaks down with 650,000 new voters, how could it handle 6 million new voters? Though it’s commendable to make voter registration easier, the state needs to simplify its cumbersome voting procedures, get updated machines that also have paper ballots, get enough trained poll workers for the next election, and educate new voters before election day. Senator Senders on CBS news has endorsed open primaries, same day registration, and enough trained staff to get the votes counted quickly.

Californians who want to see votes quickly counted so they count should first try for a serious dialogue with the legislature and the counties that California’s voting procedures be simplified and able to handle 6.6 new million voters without breakdown. Now 2.5 million votes have been nullified by inept voting procedures, mass media propaganda, and the super delegate system.  If the state doesn’t improve how it votes, more millions of votes could be nullified in the next election.